The professional string players of Musique Sur La Mer Orchestra will give the premiere on May 5, 2023, of my March for the Double Coronation at St John’s Smith Square in London. Come hear the gala concert if you’ll be there.
Conducted by Jeffrey Bernstein, the Pasadena Chorale will perform Josquin des Prez’ masterpiece Missa “Pange lingua.” Gibson’s setting of the Latin hymn Pange lingua will precede Josquin’s exquisite mass on the same melody. Because of the small venue, ticket reservations are recommended asap. That’s March 4 and 5 at Altadena Community Church.
The Debussy Trio previews the final two movements of my latest piece, commissioned by the ensemble.
SAT • NOV 12 • 2pm
Brand Library Recital Hall
1601 West Mountain Street
Glendale, CA 91201
Sigma Alpha Iota Pasadena Alumnae ChapterComposers ConcertSAT • NOV 12 • 2pmPrince of Peace Episcopal Church
5700 Rudnick Ave.
Woodland Hills, CA 91367
Franziska Kuba led the world premiere of my Laus Trinitati—on a text by Hildegard—at the Alte Börse in Leipzig on May 20, 2022, at an a cappella concert that also featured music by Kent Carlson, as well as by women and BIPOC composers. See score-video on YouTube.
Composer Sergio Barer’s podcast Let’s Talk About Music features an interview with Paul Gibson for a peek behind the scenes. https://anchor.fm/sergio-barer/episodes/A-chat-with-Paul-Gibson-about-his-music-e1gcvc0
Triad: Boston’s Choral Collective included In vino veritas as their closing number for their YouTube concert on Friday, May 14, 2021.
While on her final tour leading the choruses of Loyola Marymount University, Dr. Mary Breden conducted my Salve Regina after evensong at King’s College Chapel, Cambridge.
On June 1, on the steps of Walt Disney Concert Hall, 13 brass players from the Los Angeles Philharmonic gave the premiere of my Fanfare for the LA Phil 100, composed for the Phil’s Centennial season.
Dr. Mary Breden led the Combined Choirs of Loyola Marymount University in my Salve Regina on May 3 as part of her final LMU Spring Chorale concert.
On December 6 and 8, Dr. Mary Breden conducted the premiere of Sleep, Holy Babe, for chorus and solo trumpet, at Loyola Marymount University, as part of LMU’s annual Christmas concert. Recording now available on YouTube.
Due to a misunderstanding, nine of my pieces that appeared on YouTube were deleted. UPDATE: Nick Gianopoulos started a new channel that has returned the missing score-videos. Visit my playlists here to see all currently available videos of my music.
On April 25, the Kutztown University Chamber Singers, under the direction of Dr. Henry Alviani, will perform my Salve Regina. The 7:30 p.m. concert will be presented in the Old Main Georgian Room of Kutztown University of Pennsylvania.
As part of the Pacific Southwest Intercollegiate Choral Association’s 89th Annual Festival Concert, the Consort Singers of Loyola Marymount University performed my setting of Salve Regina at a packed house in Bovard Auditorium at USC. Dr. Mary Breden conducted and composer/conductor Z. Randall Stroope (far right) adjudicated.
Los Angeles Philharmonic announced that the full 13-member brass section of the orchestra will premiere my Fanfare as one of their 50+ commissions for their Centennial season, 2018/19. Details to be announced.
On December 17, the Los Angeles Children’s Chorus and the Pasadena Symphony under Grant Cooper gave two performances of my Ring Out, Wild Bells as part of its Holiday Candlelight concert at All Saints, Pasadena.
Accompanied by members of the Los Angeles Philharmonic, the Los Angeles Children’s Chorus gave the premiere of my Ring Out, Wild Bells on December 3, at Walt Disney Concert Hall. (Composers Nick Strimple and Dale Trumbore share a bow with me.)
Dr. Mary Breden led the Festival Honor Choir of the Pennsylvania Collegiate Choral Festival in Gibson’s Salve Regina on NOV 11 in the acclaimed acoustics of Stretansky Hall (right) at Susquehanna University.
Gibson’s Noel, Noel, Noel was included in St. Olaf College’s two performances, March 10-11, in Orchestra Hall, as part of the American Choral Directors Association National Conference in Minneapolis. Mark Stover conducted the Viking Chorus.
The superb singers of the National Children’s Chorus, conducted by Luke McEndarfer, performed Dona nobis pacem/Grant Us Peace as part of their Carnegie Hall concert devoted to Peace. The program was repeated the following Saturday, December 17, at L.A.’s Cathedral of Our Lady of the Angels.
The male voices of St. Olaf College’s Viking Chorus, conducted by Mark Stover, performed Noel, Noel, Noel, as part of the St. Olaf Christmas Festival, one of the oldest Christmas celebrations in the U.S., on December 1-4. Recordings of the festival are available here. Listen to the MPR broadcast.
The final concert of 2016’s unSUNg series at St. Mark’s Episcopal Church in Glendale included my first and latest song sets.
Four extraordinary musicians – tenor Charles Lane; Paul Sherman, oboe; Melinda Rice, viola; and Roger Lebow, cello – opened the concert with Two Songs on Chinese Love Poems (c. 1977).
To close, prize-winning pianist Robert Thies joined two members of the prize-winning European Concert Trio (Harriet Fraser, soprano; Amanda Walker, clarinet) to reprise my recent William Blake settings, The Shepherd’s Lot, a companion piece to Schubert’s “Shepherd on the Rock.”
As part of Dr. Sally Etcheto’s celebratory retirement recital, a reunion of former members of Zephyr: Voices Unbound sang Gibson’s chant-based Salve Regina, which was composed for Zephyr’s Mission Music CD. This FREE concert was presented in the Music Building of California State University, Dominguez Hills on May 15.
The award-winning ensemble European Concert Trio (Amanda Walker, clarinet; Harriet Fraser, soprano; Irina Bazik, piano) gave the three premiere performances of Gibson’s The Shepherd’s Lot, a companion piece to Schubert’s Shepherd on the Rock, on Feb. 19-21 in Encinitas, Torrance, and Beverly Hills.
Artistic Director Grant Gershon and the Los Angeles Master Chorale beautifully performed my 8-voice expansion of the Renaissance motet Rejoice in the Lord Alway, using SATB choir and brass quartet, as part of their Christmas concert this season. Hear the double choir version.
On Monday, May 4, the Debussy Trio recorded Gibson’s Ternion Sonata No. 1 at the Performing Arts Center of Soka University. The three contrasting movements are entitled: 1. “Forgetting the Words,” 2. “So sad, so strange the times that are no more,” 3. “DT Variations in a Tasty Rondo Shell.”
Dr. Mary C. Breden led the combined choruses of Loyola Marymount University with professional orchestra in the world premiere of Paul Gibson’s Te Deum on May 1, 2015, in Sacred Heart Chapel at the Jesuit school. Watch the score and hear the premiere on YouTube.
The Debussy Trio performed Gibson’s Ternion Sonata No. 1 at the Morrison Center, Idaho’s Premier Performing Arts Center, at Boise State University.
As part of their Jubilate celebrations, the National Children’s Chorus performed Gibson’s Dona nobis pacem/Grant Us peace at the Church of St. Paul the Apostle in New York on December 14, and at the Broad Theatre in Santa Monica on December 21, led by Artistic Director Luke McEndarfer.
Music Director John Johns led Gibson’s setting of In Christ There Is No East or West for SATB, congregation, organ, brass and timpani for the installation of the new Rector at St. Paul’s Episcopal Church in Dayton, Ohio.
Led by Music Director Stan DeWitt, the choir of Grace First Presbyterian Church in Long Beach sang Gibson’s May God Bless Us on Sunday September 29 for their 9am traditional service.
Gifted mezzo-soprano Amy Fogerson presented a program of L.A. composers, including Gibson’s Strong As Death, a cycle of three songs on different aspects of love. The songs are 1. “An Evening Song” (lyrics attributed to Esther Mathews), 2. “Infinite Fires” (from The Song of Songs, translated by Marcia Lee Falk), and “He Fumbles At Your Spirit” (Emily Dickinson).
Sunday, June 23, 3pm,
San Marino Community Church
Gibson’s setting of Hyfrydol, One in Faith, was sung at the liturgy on June 1, 2013, at Holy Family in New Rochelle, NY, to celebrate 100 years of the parish’s existence.
The acclaimed Debussy Trio performed Gibson’s Ternion Sonata No. 1 (flute, viola, harp) at two concerts in the Bay Area.
• • • • •
Del Valle Fine Arts Series
Saturday, April 27, 2013, 8pm
Bankhead Theater (pictured)
2400 1st Street, Livermore
• • • • •
Berkeley Chamber Performances
Tuesday, April 30, 2013, 8pm
Berkeley City Club
2315 Durant Avenue, Berkeley
The superb Natur Early Music Ensemble gave the world premiere of Gibson’s In qual parte del ciel (“In what part of heaven”) on Sunday, March 3, as part of “Sundays at Two” at Rolling Hills United Methodist Church. The setting of Petrarch’s sonnet is scored for four women’s voices and alto recorder.
Gibson’s setting One in Faith (hymn tune: HYFRYDOL) for chorus, brass, timpani, and organ was once again sung for the installation of a bishop: the Most Reverend Dennis J. Sullivan as the eighth bishop of the Diocese of Camden, New Jersey, at the Cathedral of the Immaculate Conception on February 12, 2013.
Conductor Charles Bruffy led his Grammy-winning Phoenix Chorale in five performances of Gibson’s It Fell Upon the High Midnight in and around Phoenix, AZ, on December 20-23, 2012. The solo cello part was taken by bassoon.
Gibson’s setting for chorus, brass, and organ of One in Faith (hymn tune: HYFRYDOL) was sung for the installation of Bishop Kevin Vann as the fourth bishop of Orange on Monday, December 10, at the Bren Events Center at UCI.
The National Children’s Chorus under Luke McEndarfer will perform Gibson’s Dona nobis pacem/Grant Us Peace at St. Paul the Apostle Church in New York City at the 10:00 mass on Sunday, December 9.
The National Children’s Chorus under Luke McEndarfer reprised Gibson’s Dona nobis pacem/Grant Us Peace at their Spring Showcase, May 20, at St. Paul the Apostle Church in Westwood. NCC will also take the piece on tour to New York in late November.
The Debussy Trio gave the world premiere of Gibson’s Ternion Sonata No. 1 on April 15, 2012, in Lewisburg, West Virginia, at the Casasanta Loft (122 N. Court Street), presented by the Casasanta Foundation. The piece was repeated on April 16 at the Alexander Fine Arts Center of Concord University in Athens, WV.
Gibson’s Salve Regina was in the repertoire for the Tennessee Music Educators Association convention performance by the Tennessee All-Collegiate Choir, led by Dr. Charles R. Robinson, at the Chattanooga Convention Center on April 13, 2012.
Luke McEndarfer led the National Children’s Chorus in Gibson’s Dona nobis pacem/Grant Us Peace as part of Journey of Song, Friday, March 30, at the beautiful Broad Stage in Santa Monica.
Dr. Mark Sumner led the 200-voice Oklahoma All-State Mixed Chorus in Gibson’s Salve Regina as part of the Oklahoma Music Educators Association’s annual convention, January 21 in the Tulsa Performing Arts Center (right). (Hear the piece on YouTube).
On Saturday, October 22, at the Pasadena Conservatory of Music, the American Composers Forum/Los Angeles presented the final seven compositions in this year’s composition competition. In addition to Paul Gibson’s A Little Fugue on a Whimsy (fl, cl, bsn) the program included works by Adrienne Albert, Arbel Bedack, Mitch Glickman, Garth Herberg, Robert Kotcher, and Gernot Wolfgang, all performed by Third Wheel.
On August 6, 2011, in Stanford’s Memorial Chapel, Amy Stuart Hunn led the Stanford Summer Chorus in a program that included El Cantico del Alba, Paul Gibson’s arrangement of a hymn from the California mission period.
Gibson’s Easter anthem This Peerless Dawn, for SATB, brass quintet, and organ, was reprised this past Easter by Tom Neenan and his St. Matthew’s Parish Choir, Pacific Palisades.
The Debussy Trio gave a private preview of Gibson’s three-movement Ternion Sonata No. 1 on Sunday, April 10, 2011, at their soirée in Pacific Palisades.
On Saturday, March 12, Christopher Russell led the strings of the OCHSA Orchestra in the world premiere of Gibson’s In Memoriam: Elegia-Passacaglia at the Orange County High School for the Arts.
The Pasadena Pro Musica under Stephen Grimm performed Gibson’s Salve Regina as part of their “Alive and Well and Living in L.A.” program on Sunday February 13, 2011. See the flyer.
The Debussy Trio will give the first performances of Gibson’s DT Variations in a Tasty Rondo Shell for the South Bay Chamber Music Society. Free admission.
October 22, 2010 – 8pm
Los Angeles Harbor College
Music Department – Recital Hall
1111 Figueroa Place
Wilmington, CA
October 24, 2010 – 3pm
Pacific Unitarian Church
5621 Montemalaga
Rancho Palos Verdes, CA
The De Angelis Vocal Ensemble present a concert entitled “Ikon” on October 16 at the Basilica of Mission San Juan Capistrano, featuring music by Tavener, Pärt, Rachmaninoff, Holst, Górecki, Penderecki, and others. The program includes Gibson’s Salve Regina.
The Debussy Trio gave a preview performance of Gibson’s DT Variations in a Tasty Rondo Shell on “Sundays Live,” in LACMA’s Bing Theater.
Gibson’s The Love of Our Creator was performed Sunday, April 25, by the Choir of Pacific Palisades Presbyterian Church, Lenard Berglund conducting, with Pat Maki, flute, and Gary Cobb, piano.
As part of the LACC-hosted María Guinand Festival, the Los Angeles Children’s Chorus performed Gibson’s Dona nobis pacem/Grant Us Peace on Saturday April 17 at Pasadena Presbyterian Church.
Gibson’s Dona nobis pacem/Grant Us Peace was performed by the Los Angeles Children’s Chorus on The Broad Stage February 21 at 4pm.
As part of the Los Angeles Philharmonic’s West Coast, Left Coast festival, the Los Angeles Children’s Chorus performed a special concert at First Presbyterian Church of Santa Monica. The Christmas-related program featured works by contemporary California composers, including Paul Gibson. Read the LACC press release.
Singers Viki Hilferty and Jonas Sills with pianist Jim McCarthy presented the world premiere of Paul Gibson’s sacred song Francis Walks on Water at All Saints Catholic Church in Los Angeles.
LEGACY Vocal Ensemble presented a meditative program of Marian music in three churches around Los Angeles, each concluding with Paul Gibson’s motet Salve Regina (ECS #5330).
Artistic Director Anne Tomlinson and the Los Angeles Children’s Chorus conducted Paul Gibson’s Suite: Alice Through a Looking-Glass (ECS #5871) – with a newly arranged instrumental ensemble – on their two spring concerts, May 10 and 16.
Lucinda Carver led the Los Angeles Chamber Orchestra and the Los Angeles Children’s Chorus in Paul Gibson’s Suite: Alice Through a Looking-Glass – 2pm, May 3, at the Alex Theatre, Glendale.
Lesley Leighton led the Los Robles Master Chorale in music of South America and Southern California, including Paul Gibson’s arrangement of the California mission song El Cantico del Alba, – May 1 and May 2, at The Church of the Epiphany in Oak Park, CA. More at LosRoblesMasterChorale.org
There are two video slide shows on YouTube set to music by Paul Gibson. Watch them here: Salve Regina • My Sister, My Bride
Russell M. Beaudoin led the choir and congregation of St. Paul Parish (Owosso, Michigan) in the hymn “In Christ There Is No East or West” – using brass parts by Paul Gibson – in celebration of the Feast of the Conversion of St. Paul.
On Saturday, June 28, 2008, the New World Baroque Orchestra presented their annual Festival of the Bells at the Mission of San Luis Obispo. Conductor John Warren ended the program with Paul Gibson’s simple arrangement of El Cantico del Alba, a folk song/prayer from the mission period. Click for more information about the Festival.
As part of the Los Angeles Children’s Chorus’ annual Spring Concert on June 7, 2008 at Ambassador Auditorium, the Intermediate Choir gave the premiere of Paul Gibson’s arrangement of the old French song L’amour de moy (for two-part chorus, oboe, and piano), conducted by Mandy Brigham who had commissioned the setting.
Paul Gibson’s setting of Emily Dickinson’s stunning poem of hopelessness has been released by E.C. Schirmer in their 2008 Winter packet. PDF of the score (including audio) is available now online.
On February 28, 2008, the Los Angeles Children’s Chorus gave a well-received performance at the Western Division Convention of the American Choral Directors Association in Anaheim. LACC’s program included Paul Gibson’s Dona nobis pacem/Grant Us Peace (Alliance AMP 0638). Attendance set a record for a Western Division Convention, with nearly 1000 registered attendees.
